![]() “We did a Renderman Katana pipeline on this and it enabled us to work with massively larger scenes, more complex environments, more complex character counts and better integration of VFX,” said Barnard. ![]() The Addams Family is Barnard’s third feature and he says that the learning process is always something new in contemporary animation, often resetting mid-movie as the technology upgrades. Naturally, all that computer animation meant that CG supervisor Nate Barnard had his hands full enabling all of the other supervisors to succeed in their jobs coming up with software options, creative solutions and a lot of pipeline tweaks to handle all the data. This advertisement has not loaded yet, but your article continues below.
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